Publications

Full bibliography of books and articles by Hill and ParisLeslie Hill & Helen Paris, Performance and Place, (London: Palgrave MacMillan) 2006.
Leslie Hill & Helen Paris, The Guerilla Guide to Performance Art: How to Make a Living as an Artist, (London & New York: Continuum) 2004.
Lesile Hill & Helen Paris, Guerilla Performance and Multimedia, (London & New York: Continuum) 2001.

Articles:
Leslie Hill & Helen Paris, ‘Curious Feminists’ in Feminist Futures, Elaine Aston and Geraldine Harris (eds.), (London: Palgrave Macmillan) 2006.
Leslie Hill, ‘Mapping the Territory’, ‘(dis)Placing the Senses’, ‘On Location’ ‘Border Panic’, and ‘Theatre in a Crowded Fire’ in Leslie Hill and Helen Paris (eds.) Performance and Place, (London: Palgrave Macmillan) 2006.
Leslie Hill, ‘Red Lantern House’ in China Live: Reflections on Contemporary Performance Art, (London: Live Art UK) 2005.
Leslie Hill and Helen Paris, ‘One to One’ in We Love You: Reflections on Audiences (London: Goethe Institute and ACE) 2005.
Leslie Hill & Helen Paris with Dr Upinder Bhalla, ‘On the Scent’ in Talking Back to Science: Art, Science and The Personal Bergit Arends and Verity Slater (eds.), (London: The Wellcome Trust) 2004.
Leslie Hill & Helen Paris, 'On the Scent', Performance Research, (Cambridge: Routledge) September, 2003.
Leslie Hill & Helen Paris, ‘Humour as Feminine Protection?’ in Women’s Comedy, Lizbeth Goodman (ed.), (Cambridge: Polity Press), 2003.
Helen Paris & Angela Ellsworth, ‘Humour in the (Juxta)Posed Body’ in Women’s Comedy, Lizbeth Goodman (ed.), (Cambridge: Polity Press), forthcoming - 2004.
Leslie Hill, 'Terra Incognita', in Reconstruction: An Interdisciplinary Culture Studies Community: Autobiogeography: Considering Space and Identity, Matthew Wolf-Meyer (ed.), Summer 2002: Volume 2, Number 3.
Helen Paris, ‘Crossing Wires, Shifting Boundaries’ in Women and Performance: a journal of feminist theory, Issue 24, SaraBailes and Maiken Derno (eds.) (NYU: New York) 2002.
Helen Paris, ‘Ontology of the Olfactory’ in Tessera, (University of Montreal: Montreal) 2002.
Leslie Hill, ‘Scratch in the Record’, in Languages of Theatre Shaped by Women, Lizbeth Goodman & Jane de Gay (eds.) (Bristol: Intellect, 2002).
Helen Paris, 'One to One: Lone Journies', in Languages of Theatre Shaped by Women, Lizbeth Goodman & Jane de Gay (eds.) (Bristol: Intellect, 2002).
Leslie Hill, ‘Suffragettes Invented Performance Art’, in The Routledge Performance Reader, Lizbeth Goodman (ed.), (London and New York: Routledge) 2001.
Helen Paris, ‘Vena Amoris’ in Live Art Magazine p, 21-24 (Nottingham Trent University) March 2000.
Leslie Hill & Helen Paris, ‘Scratch in the Record: The Day Don Came With the Fish’, in In the Event of Text, (Utrecht: G.W. Smith),1999.
Leslie Hill & Helen Paris, ‘I never go anywhere I can’t drive myself’ in Performance Research, On Place Volume 3, No. 2, (London: Routledge), Summer, 1998.
Leslie Hill, ‘Push the Boat Out’ in, New Theatre Quarterly, (Cambridge: Cambridge University Press) February, 1998.
Leslie Hill, ‘Deus ex Machina’ in, New Theatre Quarterly, (Cambridge: Cambridge University Press) February, 1998.
Richard Loveless and Lizbeth Goodman, New Media Performance: the Next Frontier, Performance Research, Online, ric Alsopp and Scott dela Hunta (ed.s), 1999/2000
Lizbeth Goodman, Sexuality in Performance: Replaying Gender in Theatre and Culture, (London and New York: Routledge), 1999.
Julia Brosnan, Chapter 7, Acts of Passion: Sexuality, Gender and Performance, Nina Rapi and Maya Chowdry (eds.), (New York: Hawthorn Press), 1998.
Barbra Egervary, ‘Another Con-Text’, in Acts of Passion: Sexuality, Gender and Performance, Nina Rapi and Maya Chowdry (eds.), (New York: Hawthorn Press), 1998.
Janet Adshead-Lansdale, The Routledge Reader in Gender and Performance, Lizbeth Goodman with Jane de Gay (eds.),(New York & London: Routledge), 1998.
Trebor Scholz, ‘Eporue 2000 – Two Mouths, One Tongue’, in Surfacing At A Different Place, (London: Green Press) 1997.